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I’ll be sharing one story at a time in audio version from my collection ‘5 of a Kind: Short Fiction.’ 

“The Gospel According to God”, narrated by my own Wondervox, is the first story the collection. Spanning human history from primordial silence to a chance encounter on a Central Park bench, the story traces what happens when people mistake the infinite for a brick and the boundless for a rulebook — including Eric, a pre-literate mystic who discovers the divine lives inside every person and is killed for saying so.

Threading through the ancient scenes is Melissa, a young theater major from Michigan who arrives in New York City chasing a dream and finds herself ambushed by wonder. Riding subways and navigating the beautiful chaos of the city, she begins to sense something watching back — curious and unhurried.

AI and the End of Talent
By Mark McNease / Editor

Having been given something I know was written by AI and asked what I thought of it, as if the person had written it themself, and responding with “That’s very well written,” I realized that the end of talent – the years of development, the craft, the skill, that unique something that makes a writer a truly good writer – may be upon us. I know a lot of what I read now online is not written by humans, but it’s only recently that I viewed it from the perspective of someone who has been writing for 55 years and who has always enjoyed the thrill of discovering someone who was truly gifted), and realizing that AI is getting so good that it can make talent obsolete.

I’m not a hater. I use Claude, and find it very helpful when I’m stuck on plot, or I need to figure out a transition. But there is a not-so-fine line that, when crossed, makes decades of learning and growing and honing and crafting almost pointless. And that, I think, is the true imposter syndrome: not to believe that we are writers when we’re not, but to believe we are good ones when all we have written are prompts. I started writing at the age of 10 because it was and remains a magical experience, a zone of imagination that requires skill and time and effort and finesse and revision and listening and more revision and the silence of the blank page. To find ourselves approaching a point where “anyone can do that” with ChatGPT or Claude makes it all nearly pointless. I still want to thrill to the discovery of a wordsmith and a talented writer, without wondering if they actually wrote it. Will I stop using AI as a tool? No. Will I let it make me irrelevant? I hope not.

Welcome back to Fearsome Fiction, and to Night Flight to Murder Town: A Marshall James Thriller.

When we last left Marshall, he was finding his footing in a New York City that was as thrilling as it was foreign — a city that moved faster than he did, that asked more of him than he expected, and that seemed to be keeping secrets at every turn.

In tonight’s chapters, those secrets begin to take on weight. Trent hands Marshall a small yellow envelope — a floppy disk he calls “insurance” — and refuses to say more. It’s the kind of thing a man hands off only when he’s afraid of what might happen to it. Or to him.

Marshall puts the envelope away and goes on with his evening, because what else do you do? You put on a borrowed coat, you navigate your first New York City subway ride — tokens and all — and you head to Chelsea for what you tell yourself is just dinner. And maybe something more.

What he finds at Leland’s apartment, though, isn’t dinner. It’s a little white pill and a great deal of persuasion. And with one small word — sure — Marshall James crosses a line he can’t uncross.

Chapters twenty-two, twenty-three, and twenty-four. A disk full of secrets. A train into the dark. And the first of many falls to come.

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It’s amazing what you can do in a hour creating a 15-secone video.

Episode 325 of The Twist is packed. Mark and Rick dig into the week’s biggest news stories in their Weekly News Roundup — the headlines, the highlights, and the takes you won’t get anywhere else. Then things get a little lighter with Road Trip Fun Facts, just in time for the open road season. And Rick sits down with Enjoyiana Nururdin, journalist and lifestyle content creator, for a conversation about her work, her voice, and what drives her to tell the stories she tells.

Fearsome Fiction Podcast: Genre Classic Series The Mystery of the Yellow Room by Gaston Leroux — Chapters 1–6

Let’s talk about a book that has been quietly influencing mystery writers for over a hundred years. The Mystery of the Yellow Room by Gaston Leroux was published in 1907, and it did something so clever, so carefully constructed, that readers and writers are still talking about it. You may know Leroux from The Phantom of the Opera — but this is the book that made him a legend among mystery aficionados.

And once you spend the first six chapters inside the Château du Glandier, you’ll understand why.

An Impossible Crime

Here’s what we know. Mademoiselle Stangerson was attacked inside her laboratory — a small room with yellow wallpaper that gives the novel its name. The door was bolted from the inside. The windows were secured. No one could have gotten in, and no one could have gotten out. And yet the evidence of violence is everywhere: blood, a weapon, signs of a brutal, terrifying struggle.

Leroux doesn’t bury the lead. He plants the impossibility right in front of you in the opening chapters and essentially says: go ahead, figure it out. Most readers can’t. That’s the fun.

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Welcome to the Second Edition of One Thing or Another, a collection of humor columns that takes a look at life, aging, and the absurdities of it all. It’s been a few years since the first edition, and even more since they were written. The Big Six-Oh is now the Big Six-Seven, and life is just as absurd as it was the first go-round.

From our culture’s refusal to use the word ‘old,’ to the sometimes comical consequences of aging in body and mind, if not always in spirit, you’re sure to enjoy this skewed look at life’s foibles for the ages. Collected from the author’s personal columns, these short essays will make you chuckle, recognize yourself, and sometimes grimace at the not-always-funny price we pay for simply staying alive.